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Tennessee Volunteers vs. Arkansas Razorbacks Tickets
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October 3, xxxx
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to anything like the minuteness and fullness of Richardson. As was before pointed out in regard to the letter?system generally, this method of treatment is exposed to special dangers, particularly those of verbosity and "overdoing"--not to mention the greater one of missing the mark. Richardson can hardly be charged with error, though he may be with excess, in regard to Pamela herself in the earlier part of the book--perhaps even not in regard to Mr. B.'s intricacies of courtship, matrimonial compliment, and arbitrary temper later. But he certainly succumbs to them in the long and monstrous scene in which Lady Davers bullies, storms at, and positively assaults her unfortunate sister?in?law before she is forced to allow that she is her sister?in?law. Part of course of his error here comes from the mistake with which Lady Mary afterwards most justly reproached him--that he talked about fine ladies and gentlemen without knowing anything about them. It was quite natural for Lady Davers to be disgusted, to be incredulous, to be tyrannical, to be in a certain sense violent. But it is
improbable that she would in any case have spoken and behaved like a drunken fishfag quarrelling with another in the street: and the extreme prolongation of the scene brings its impropriety more forcibly into view. Here, as elsewhere (a point of great importance to which I may invite attention), Richardson follows out, with extraordinary minuteness and confidence, a wrong course: and his very expertness in the process betrays him and brings him to grief. If he had run the false scent for a few yards only it would not matter: in a chase prolonged to something like "Hartleap Well" extension there is less excuse for his not finding it out. Nevertheless it would of course be absurd not to rank this "knowledge of the human heart" among the claims which not only gave him but have kept his reputation. I do not know that he shows it much less in the later part of the first two volumes (Pamela's recurrent tortures of jealous curiosity about Sally Godfrey are admirable) or even in the dreary sequel. But analysis for analysis' sake can have few real, though it may have some pretended,
devotees. The foregoing remarks have been designed, less as a criticism of Pamela (which would be unnecessary here), or even of Richardson (which would be more in place, but shall be given in brief presently), than as an account and justification of the book's position in the real subject of this volume--the History of the English Novel. And this account will dispense us from dealing, at corresponding length, with the individually more important but historically subordinate books which followed. Of these Clarissa, as few people can be ignorant, is a sort of enlarged, diversified, and transposed Pamela, in which the attempts of a libertine of more resolution and higher gifts than Mr. B. upon a young lady of much more than proportionately higher station and qualities than Pamela's, are--as such success goes--successful at last: but only to result in the death of the victim and the punishment of the criminal. The book is far longer than even the extended Pamela; has a much wider range; admits of episodes and minor plots, and is altogether much more ambitious; but still--though the